Salt Lake City

Andrew Alba Paints Mysteries & Suspicion

by | Mar 7, 2024 3:24 pm | Comments (0)

Andrew Alba talks about his work during the opening of his show at Material Contemporary.

Andrew Alba – Inheritance
Material Contemporary
South Salt Lake, UT
March 1, 2024

Andrew Alba doesn’t trust art that’s too pretty.

That’s part of why he had to unlearn so much of what he knew about drawing. And he wanted to move away from just showing what he could do. Instead, he aims to make marks that contribute to the world and might even change it.

The result is a collection of unsettling works focused on feelings and histories that we, as humans and as individuals, have inherited. The paintings and drawings feature suspicious characters, repeating animals, and liminal backgrounds. All of the artworks unfold onto one another in two small gallery spaces at Material Contemporary in South Salt Lake. I was there for the opening of the show and heard Alba speak about his work. 

Continue reading ‘Andrew Alba Paints Mysteries & Suspicion’

Plan‑B Brings Shakespearean Gender Fluidity To The Stage

by | Feb 27, 2024 11:12 am | Comments (0)

SHARAH MESERVY PHOTO

Bellario (Jason Bowcutt) listens to Portia (Lily Hye Soo Dixon) during a scene in Balthazar.

Balthazar
Plan‑B Theatre at the Studio Theatre in the Rose Wagner Performing Arts Center
Salt Lake City
Feb. 22, 2024


I couldn’t have gotten a better first taste of Utah theater than a performance of Plan‑B Theatre’s new play Balthazar. Intimate, smart, and innovative, the production asked good questions and played with language in ways I hadn’t encountered before.

The show, running through next weekend, adapts William Shakespeare’s The Merchant of Venice by placing a closeted Bellario, played by Jason Bowcutt, and a genderfluid Portia/Balthazar, played by Lily Hye Soo Dixon, at its center. It’s a small, two-person production set almost exclusively in Bellario’s stately law office in Padua. It’s a short show, but that doesn’t stop the characters from changing right before our eyes.

Continue reading ‘Plan‑B Brings Shakespearean Gender Fluidity To The Stage’